![]() ![]() The dehaze tool is handy in order to get rid of fuzzy areas on a photograph. I also increased dehaze for even more clarity. I also decreased saturation and increased clarity so the blue of the glare would be less obvious and the viewer can see the woman’s eyes more clearly. Then I adjusted the exposure, contrast, highlights, shadows, whites, and blacks to minimize the effect of the glare. (You can see this mask in red to get an idea of how much area I covered.) In this case, the size of my brush as at 29, which makes the inner brush circle roughly the size of her pupil. I then applied a mask over the area I wanted to adjust. When you click on it, white dots will appear around it showing you that you have selected it.įirst, I changed the brush size to a larger area, making sure the flow and feather is at 100. It’s on the very far right and looks like a paintbrush or makeup brush. You can find the adjustment brush near the spot removal tool. ![]() Using the tool, we can minimize the glare to allow more focus on the eyes of the subject. The adjustment brush is another handy tool you can use to target a specific area of a photograph. There was still some glare that was blocking the viewer from clearly seeing the eyes of the subject, but it was not able to be corrected by using the spot removal tool, as there was not another eye to clone from. In this case, the spot removal tool was not going to fix everything. Keep in mind, however, that this might not be the last tool you use in adjusting lens glare. Once you’re satisfied with this, and the blending looks natural, click ‘done’ on the bottom right of the screen, underneath the photograph. If this happens to be the case, you can move the circle corresponding to the area you’re adjusting so that it lays over a part of the photograph more similar to the one you are trying to correct. Although this sometimes works on its own, sometimes the Lightroom algorithm does a bad job. Start by clicking on part of the photo you want to adjust, and watch it adjust to a similar color on nearby skin. Once you have adjusted the brush settings, you are ready to start using the brush. These are all important adjustments to make so that the clone stamp won’t create harsh lines that are obvious to the viewer. You’ll then want to adjust feather to around 75 (which means how the soft the edges of the brush will be), and the opacity to around 90 (which means how much of your adjustments will show on the photograph). A small magnifying glass with a plus sign should appear, and you can click your mouse on the area you want to zoom in on.Īfter you zoom in, you’ll want to adjust the size of the brush to match the area you want to correct. ![]() You can do this either by clicking command+/- or holding your mouse over the photograph. The spot removal tool can be found by looking for the circle with an arrow in the top right corner, underneath the histogram.įirst, zoom in on the area you want to work on. By cloning another part of her face to match her eyeglasses, I can start to reduce the effects of the glare. Since the glare is colored, the parts which cover her skin can be removed using the spot removal tool. ![]()
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