![]() ![]() What makes things worse are that the Lamplighter and Calamus and Alula get very And I Must Scream-ish deaths courtesy of the squares.The Solstice run, despite being the Golden Ending, kills off several characters with the squares, including Silver, Maize, the Lamplighter and even most of the denizens of the Glen including Calamus and Alula.It could also further explain why the previous sun had went out: the last messiah died and thus their sun couldn't shine anymore by default. That could mean that if Niko saves the world and installs the sun, that they can never leave the sun's side because without them, it will go out. When Niko leaves the bulb with Maize, the bulb has gone out by the time Niko returns and only begins glowing again when they touch it.You have to manually edit the registry on your computer and delete the data it wrote for the game, effectively bypassing the one try you really have and the ending you got, washing you off the guilt, but it's a risky move. Actually, there is a way, but it's not easy.Or shatter the bulb, dooming the world and everyone in it with a Cessation of Existence. Alternatively, if one goes and considers that the Unreliable Narrator is a Death Seeker, it can potentially change the endings dramatically: If Niko saves the world, then everyone gets a new chance to restore the world (as Silver implies) and with Niko accepting living the rest of their life there with only the narrator being left unhappy until this sun breaks as well. One ending has Niko literally walk out of the game, and it suggests they're unlikely to walk back into it, and the other suggests they're stranded in the dying world. Once you get either ending, unless you know how to get New Game Plus with the remake, the game pretty much no longer works.If you try to close the game again, the Entity will call you out for this incident: You are granted with two of the unsettling tracks in the game, " My Burden Is Dead " for the title screen and " Someplace I Don't Know " for the dark room. This is for the Steam version, however, as the original version is more sadistic, as it straight up causes the worst ending: if you close the game like you close your web browser, when you relaunch the game, the sun is broken, only Niko's hat and scarf remain, and you return to the first room, which is even darker than before.It's over quick, no matter how long you're gone, but to them, everything just ceases to be. They can't hear you, and the sun can't light things up. Meanwhile, Niko immediately sees everything go pitch black. If you choose so, you may save and quit at any time by X-ing out instead of using a bed.disturbing sound, almost on par with the weird spinning ram in the Glen. In one of them is a silent girl, who seems to own a cute stuffed penguin. In the Refuge apartments you'll find some rooms that you can just barge into.And soon it will all sink into the water. It used to all be one piece, but now it's a disjointed mess. Even worse is that Cedric explains that getting caught by the squares effectively results in a Cessation of Existence.To make matters worse, the Solstice run shows you exactly what happens when someone does get caught in one.If a person were to get caught in one of them. Worse, Refuge has the highest number of these anomalous sightings. Sometimes it takes more than an arm or a leg. At least it's not hurting anybody, right? Then you get to the factory, where you see that it mangles robots and/or messes with their programming. ![]() Then you discover that it destroys walkways and disables elevators. They look weird, but aren't causing any actual damage. The odd, glitchy squares you see everywhere seem pretty harmless.The note simply says "They failed", implying they didn't make it back alive. A group of explorers had found the area at one point, but they didn't have gas masks. When wandering around in the gas vent area of the Barrens, Niko can find a note.One in particular is a suicide note, left by someone who didn't want the darkness to claim them after the sun had gone out. There are many notes scattered around the Barrens.A lot of the Interface Screw the game pulls in addition to this can lead to a lot of Paranoia Fuel, something the game's help file even warns players about.As a Moments subpage, all spoilers are unmarked as per policy. ![]()
0 Comments
![]()
![]() Startling History: Celts brought Christianity to Norway? The books The Norwegian Pentagram and its English translation The Viking Serpent came into being. Strange myths and fables that he had dismissed earlier suddenly seemed to make sense, leading to one exciting discovery after the other. Studying the Sagas and other historical works led him to discover more geometry. The sacred geometry was not limited to the pentagram. ![]() Who may have created a symbolic pentagram in Norway? (From The Viking Serpent by Harald S Boehlke) Norwegian Pentagram (From The Viking Serpent by Harald S Boehlke) It is in many ways the number of creation as it is also mirrored in the proportions of the human body.Īfter Harald’s discovery of the ‘Norwegian Pentagram’ – enormous geometric patterns with symbolic measurements, and ancient spiritual sites in Norway creating a pentagram across the landscape- a larger mystery now confronted him: who had placed this sacred geometry across the whole of southern Norway? It permeates creation It defines the spirals of a Nautilus shell, snowflakes, the galaxies, honeycombs. This number is a large part of Holy Geometry. The proportional relationship of the parts reflects universal design. It can be said the pentagram is the visualization of the Golden Section 1.618. It is constructed using this number, and this number only. The pentagram incorporates the Golden Section 1.168. In a way, you might say it is the fingerprint of God. Pythagoreans considered the pentagram an emblem of perfection or the symbol of the human being. The use of 1.618, called the Golden Section, or Golden Mean in sacred architecture is prevalent throughout Europe. It has had many meanings in many cultures, tracing back in time many thousand years. But the pentacle's demonic interpretation is historically inaccurate. The Catholic Church must take credit for turning the pentagram from a symbol of the sacred feminine to a symbol of the devil. ![]() The pentagram is for many a mysterious, foreboding, fateful and intimidating symbol. And lo and behold, it was seen that Norway had not been converted by the Roman Catholics as had always been the accepted story.Īstonishing Discovery of Sacred Geometry and Ancient Symbols Harald discovered what is now called The Norwegian Pentagram, and other enormous geometric patterns with symbolic measurements, constructed with the help of cities built during the conversion years (ca.900-1130) to act as markers. ![]() ![]() These surpassed by far even the astonishing geometry discovered on the blood-soaked soil of the Languedoc area of southern France, where the gnostic Cathars had been killed by the thousands by the Catholic Church and The Templars had many of their strongholds.Ī completely different story regarding Norway’s conversion was revealed, rather than the hitherto accepted one. In researching Norway’s Viking history, and Norway’s conversion to Christianity, he was led to profound discoveries. What Harald found, however, is not fiction. But, it was mainly fiction.Ī pentagram image was found on the body. Religion, Sacred geometry, and suspense were the ingredients that kept audiences spellbound. In the opening scene of The Da Vinci Code, Dan Brown featured a dying man who had inscribed a pentagram onto his stomach with his own blood. Lincoln’s tantalizing bait was religion and sacred geometry-specially the sacred pentagram. The Norwegian researcher Harald Boehlke was inspired by the same book. Dan Brown wrote The Da Vinci Code, inspired by Henry Lincoln and his two co-authors’ The Holy Blood and the Holy Grail. ![]() ![]() ![]() You do not bully or harass them or discriminate unfairly against them. You treat colleagues fairly and with respect.You do not mislead or attempt to mislead your clients, the court or others, either by your own acts or omissions or allowing or being complicit in the acts or omissions of others (including your client).You perform all undertakings given by you, and do so within an agreed timescale or if no timescale has been agreed then within a reasonable amount of time.You do not abuse your position by taking unfair advantage of clients or others.You do not unfairly discriminate by allowing your personal views to affect your professional relationships and the way in which you provide your services.Code of Conduct for Solicitors, RELs and RFLs This introduction does not form part of the SRA Code of Conduct for Solicitors, RELs and RFLs. That strategy explains in more detail our views about the issues we consider to be serious, and our approach to taking regulatory action in the public interest. ![]() ![]() In addition to the regulatory requirements set by us in our Codes, Principles and our rules and regulations, we directly monitor and enforce the requirements relating to referral fees set out in section 56 of the Legal Aid, Sentencing and Punishment of Offenders Act 2012, and provisions relating to anti money laundering and counter terrorist financing, as set out in regulations made by the Treasury as in force from time to time.Īll these requirements are underpinned by our Enforcement Strategy. A failure or breach may be serious either in isolation or because it comprises a persistent or concerning pattern of behaviour. You are personally accountable for compliance with this Code - and our other regulatory requirements that apply to you - and must always be prepared to justify your decisions and actions.Ī serious failure to meet our standards or a serious breach of our regulatory requirements may result in our taking regulatory action against you. You must exercise your judgement in applying these standards to the situations you are in and deciding on a course of action, bearing in mind your role and responsibilities, areas of practice, and the nature of your clients (which in an in house context will generally include your employer and may include other persons or groups within or outside your employer organisation). They apply to conduct and behaviour relating to your practice, and comprise a framework for ethical and competent practice which applies irrespective of your role or the environment or organisation in which you work (subject to the Overseas Rules which apply to your practice overseas) although paragraphs 8.1 to 8.11 apply only when you are providing your services to the public or a section of the public.Ĭonduct does not need to take place in a workplace in order to relate to your practice – these requirements capture conduct which touches realistically upon your practice of the profession, in a way that is demonstrably relevant. The Code of Conduct describes the standards of professionalism that we, the SRA, and the public expect of individuals (solicitors, registered European lawyers and registered foreign lawyers) authorised by us to provide legal services. ![]() |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |